Final note: The gift shop sells tiny clay track-stamps. I bought three.
Most wildlife photography feels like a job interview for National Geographic—perfect light, sharp eyes, no flies on the nose. But this exhibition? It’s messy in the best way. Artofzoo Vixen Gaia Gold Gallery 501 Pictures
The photographer, Elena Voss, pairs her images with hand-pressed botanical cyanotypes made from the same locations where she shot. A photo of a vixen mid-yawn? Beside it, a ghostly blue print of the very foxglove she was hiding behind. You smell the damp earth before you read the label. Final note: The gift shop sells tiny clay track-stamps
Downside? The lighting in the gallery is too warm; it washes out the cyanotypes. And one visitor kept saying, “I could take that photo” (no, Carol, you cannot sit in a blind for 14 hours waiting for a kingfisher to blink). But this exhibition
Here’s an interesting, slightly offbeat review that blends with nature art —written as if by a thoughtful observer who’s seen too many clichéd deer-at-sunset shots. Title: "Finally, someone who lets the mud speak" Rating: ★★★★☆ (4.5/5) Reviewer: Moss & Memory Collective
