Celebrate CG Boost’s Birthday with 20% off Robotic Planet! 🥳
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Celebrate CG Boost’s Birthday with 20% off Robotic Planet! 🥳
Clear, fun and practical courses for 3D storytellers.
Exciting projects, explained step by step, with some fun mixed in. You decide if you follow to the letter.
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Bella’s followers are split. Some believe she was a victim of a madman’s ego. Others point to her final post, uploaded via scheduled automation two hours after the estimated time of death. The caption read: “Sometimes you have to let the monster win to know what it feels like.” We will likely never know the exact truth of what happened in that workshop. The creature was destroyed by authorities, deemed a “dangerous weapon” rather than a sculpture. But the story of Bella Bare and Richard Mann serves as a gruesome parable for our age of content.
How close do we stand to the things we create? How hard do we push the envelope before the envelope pushes back?
Rest in pieces, Bella. The genre won’t forget you. Disclaimer: This post is a work of fiction based on the requested title prompt. Any resemblance to real persons, living or dead, or actual events is purely coincidental.
There are some headlines you read that stick to your ribs like cold grease. The case involving Bella Bare and Richard Mann is one of them. On the surface, it sounds like the logline for a low-budget horror flick: “Model Torn Apart by Her Own Creation.” But when you dig into the court transcripts and the surviving witness statements, you realize the horror isn't the monster—it's the obsession that built it.
She was reportedly laughing. Then screaming. Then laughing again.
There is no mastery without proper practice. Develop yourself regularly with our 3D art challenges. Improve your skills, get feedback and win prizes.
40th CG Boost 3D Art Challenge
40th CG Boost 3D Art Challenge
40th CG Boost 3D Art Challenge
Bella’s followers are split. Some believe she was a victim of a madman’s ego. Others point to her final post, uploaded via scheduled automation two hours after the estimated time of death. The caption read: “Sometimes you have to let the monster win to know what it feels like.” We will likely never know the exact truth of what happened in that workshop. The creature was destroyed by authorities, deemed a “dangerous weapon” rather than a sculpture. But the story of Bella Bare and Richard Mann serves as a gruesome parable for our age of content.
How close do we stand to the things we create? How hard do we push the envelope before the envelope pushes back?
Rest in pieces, Bella. The genre won’t forget you. Disclaimer: This post is a work of fiction based on the requested title prompt. Any resemblance to real persons, living or dead, or actual events is purely coincidental.
There are some headlines you read that stick to your ribs like cold grease. The case involving Bella Bare and Richard Mann is one of them. On the surface, it sounds like the logline for a low-budget horror flick: “Model Torn Apart by Her Own Creation.” But when you dig into the court transcripts and the surviving witness statements, you realize the horror isn't the monster—it's the obsession that built it.
She was reportedly laughing. Then screaming. Then laughing again.
