Enter the Drive.

Fast forward nearly two decades. The war in Sierra Leone is over. The Kimberley Process—flawed as it may be—has been reformed. And yet, the film is enjoying a bizarre, shadowy renaissance. But not on HBO Max or Netflix. Its new home is a place that would have baffled its creators: .

It is one of the most haunting images of the 2000s: Leonardo DiCaprio, caked in Sierra Leonean dust, holding a rough pink gem while child soldiers shuffle in the background. Edward Zwick’s Blood Diamond (2006) was never meant to be easy viewing. It was a harrowing action-thriller with a conscience, designed to make consumers in wealthy nations squirm as they looked at their own ring fingers.