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✅ – He brings weary gravitas to a broken priest-turned-skeptic. His internal battle between intellect and faith is the film’s emotional core. Unlike the confident Merrin in the original, this younger version is fragile, angry, and vulnerable – a refreshing take. I understand you're looking for a review of

✅ – The demonic transformations use a mix of prosthetics and old-school gore. One scene involving a hyena attack and another with a contorted, spider-walking possessed boy are genuinely unsettling. The exorcism finale, though rushed, has visceral weight. Unlike the confident Merrin in the original, this

❌ – Aside from Skarsgård, characters like a British doctor (Scorupco) and a young priest (D’Arcy) are forgettable. Their romantic subplot feels forced and distracting. The exorcism finale, though rushed, has visceral weight

✅ – The film dares to ask: What if evil predates God? The entity here isn’t just Pazuzu (from the first film) but something older, worshipped before Christianity. This adds a cosmic horror layer missing from most possession films. What Falls Short ❌ Troubled Production History – The film was a notorious studio mess. Original director Paul Schrader shot a contemplative, slow-burn version ( Dominion: Prequel to the Exorcist ). Warner Bros deemed it “too intellectual, not scary enough,” fired him, and hired Renny Harlin to reshoot 90% of the film for more jump scares and gore. The result is a patchwork – some scenes feel rushed, characters underdeveloped.

❌ – Harlin tries to blend Indiana Jones adventure (ancient tombs, curses) with The Exorcist dread. It doesn’t always mesh. One moment you’re watching a slow-burn psychological drama, the next a loud demon-possession explosion.