El Club De Los Desahuciados -

As cultural theorist Teresa Vilarós (2018) notes, the desahuciado body becomes a living monument to financial violence. When hundreds of such bodies form a “club,” they create what she calls la multitud hipotecada —the mortgaged multitude. Their club meetings are performative state critiques. Despite its empowering aspects, the club metaphor has limits. First, not all evicted people join: some internalize shame to the point of isolation. Second, the “club” can romanticize poverty. Third, the Spanish context differs from, say, the U.S. foreclosure crisis due to the cláusula suelo (floor clauses) and dación en pago (debt forgiveness) campaigns. A universal “club” risks erasing legal specificities.

The Evicted Club: Narrative, Resistance, and the Deconstruction of Home in Post-Crisis Spain El Club de los Desahuciados

[Your Name] Course: Contemporary Iberian Cultural Studies Date: April 17, 2026 Abstract This paper examines the conceptual framework of El Club de los Desahuciados as a potential literary or cinematic narrative device emerging from the Spanish mortgage crisis. While not a singular canonical text, the “club” metaphor appears across activist testimonies, documentary films, and grassroots collectives such as the Plataforma de Afectados por la Hipoteca (PAH). This analysis argues that the “club” functions as a counter-narrative to neoliberal individualism—transforming shame into solidarity, private ruin into public ritual, and eviction into a space of political awakening. Through case studies of testimonial literature and digital storytelling, the paper demonstrates how evicted communities reconstruct agency by reframing dispossession as collective identity. 1. Introduction Between 2008 and 2018, Spain witnessed over 500,000 evictions, a direct consequence of predatory lending, unemployment, and judicial foreclosure. In response, the Plataforma de Afectados por la Hipoteca (PAH) emerged as a mass movement. Within this context, the phrase El Club de los Desahuciados circulates as a bitter joke, a social media hashtag, and an organizing principle. Unlike a traditional club (exclusive, voluntary, leisure-oriented), this club is involuntary, stigmatized, and born from trauma. This paper asks: How does the metaphor of a “club” reframe the experience of eviction? And what aesthetic or political work does it perform? 2. The “Club” as Anti-Stigma Mechanism Sociologist Erving Goffman’s theory of stigma (1963) describes how individuals with spoiled identities seek out others who share their mark. The evicted person suffers moral stigma—accused of laziness, irresponsibility, or bad luck. El Club de los Desahuciados reclaims the mark. In PAH assemblies, a common ritual involves raising hands and saying, “Yo también fui desahuciada” (“I, too, was evicted”). This speech act mirrors club membership: a shared password, a collective identity. As cultural theorist Teresa Vilarós (2018) notes, the

Nevertheless, activists argue that the club’s informality allows quick adaptation—from blocking evictions to negotiating social rents. El Club de los Desahuciados is not a novel or film (yet) but a living archive of resistance. Its members write their own rules: no dues, no dress code, no permanent address. Membership is free and mandatory for anyone who has received a judicial notice of eviction. In a society that equates housing with worth, the club declares: We are more than our mortgages. Despite its empowering aspects, the club metaphor has limits