There, they built a life. Lir carved spoons and cradles from walnut wood. Teuta wove rugs so beautiful that shepherds wept to see them. They had a daughter, Dafina, who sang before she could speak.
The hollow ones rose from the walls—shapes like burned trees, like drowned children, like the trader from Korçë with maggots for eyes.
Lir crawled out into the snow, blind in one eye, mute in his right hand, but breathing. He returned to the nameless village. Teuta could see again—faintly, like dawn through frost. Dafina’s voice returned as a rasp, then a hum, then a lullaby. They never spoke of the debt.
"You spoke the old words. 'Ese per deshirat e mia.' You did not know? That is not a prayer. That is a contract. The hollow ones under the mountain heard you. They gave you Teuta. Now they collect: first your craft, then her sight, then your daughter's voice. In one year, they will take Teuta’s breath. Then Dafina’s memory. Then your bones."
But every year on the night of the summer solstice, Lir walks to the river. He washes his hands in silence. He does not pray. He does not desire.
"You spoke," they hissed. "Now pay."
In the forgotten valleys of southern Albania, where the mountains scrape the clouds and the rivers speak in riddles, there was a phrase older than the Ottoman stones: — Everything for my desires.