It was less a dish and more a dare.
Tonight was the Rar's anniversary. Ten years since Pat, in a drunken, grief-stricken fugue after his cat ran away, had invented it. The crowd that packed the sticky floor wasn't here for the jazz. They were here for the sacrament.
Pat stood over a cast-iron cauldron the size of a dwarf planet. Inside, a symphony of pork belly, chorizo crumbles, and smoked lard bubbled in a shallow, amber-hued pool. This was the "Bath." The "Rar"—Pat’s own idiosyncratic spelling of rare —was a lie. Nothing about this was rare. It was a crunchy, salty, umami apocalypse. The recipe, scrawled on a napkin stained with valve oil and pig fat, was legendary: render the fat of five heritage hogs, add the tears of a jazz critic, and simmer until the moon howls. Jazz Butcher Bath Of Bacon Rar
“Pat,” Gene said, stepping over a puddle of bourbon. “The health inspector sends his regards. And the ASPCA.”
“I want you to close this place down.” It was less a dish and more a dare
Pat began to play. It wasn’t a tune. It was a lament. A guttural, squalling thing that sounded like a train derailing into a deli. He called it “Bacon of the Rar.” As he played, he lifted the bacon-laden ladle and, with a theatrical groan, draped the first strip over the bell of his saxophone. The hot fat dripped onto the floor, hissing like a snake.
He lifted a ladle. From a nearby butcher-paper package, he produced three thick strips of bacon, each one the size of a human tongue. He dipped them into the cauldron. They sizzled, then crisped, then sang. The crowd that packed the sticky floor wasn't
This was the ritual.