This paper argues that Daredevil Season 3 employs a “360-degree narrative structure” – termed here “threesixtyp” – to deconstruct the hero-villain binary. Through rotating points of view (Matt Murdock, Wilson Fisk, Benjamin Poindexter, Karen Page, and Foggy Nelson), the season achieves moral complexity and immersive tension. Analysis focuses on cinematography, voiceover, and parallel editing.

Blind Spots and Full Circles: 360-Degree Perspective in Marvel’s Daredevil Season 3