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Bond, B. J. (2021). The development and influence of parasocial relationships with television characters: A longitudinal experimental test of prejudice reduction. Media Psychology , 24(3), 389–413.

Mar, R. A. (2011). The neural bases of social cognition and story comprehension. Annual Review of Psychology , 62, 103–134. -WWW. SEXINSEX. NET-- -

Kuzmicová, A. (2021). The narrative psychology of enemies-to-lovers: Affect, empathy, and the revaluation of conflict. Poetics Today , 42(2), 245–268. Bond, B

Hazan, C., & Shaver, P. (1987). Romantic love conceptualized as an attachment process. Journal of Personality and Social Psychology , 52(3), 511–524. they also carry risks.

Farvid, P., & Braun, V. (2014). The ‘sassy woman’ and the ‘performing man’: Heterosexual casual sex scripts in New Zealand. Feminism & Psychology , 24(4), 471–492.

| Era | Example | Structure | Consent Cues | |------|---------|-----------|---------------| | Classic Hollywood (1940s) | The Philadelphia Story | Accidental encounter, verbal sparring | Implied, often ignored refusal | | Rom-Com Boom (1990s) | Notting Hill | Awkward stumble, celebrity/ordinary | Clear invitation (coffee offer) | | Streaming (2020s) | Starstruck | Post-hookup meet-cute, gender-reversed | Explicit negotiation of terms |

The streaming-era meet-cute increasingly the initial encounter, acknowledging awkwardness, ambiguity, and non-mutual desire. This reflects a cultural demand for realism but may reduce the escapist pleasure that traditional meet-cutes provide—a tension at the heart of contemporary romance writing. 6. Discussion: Romantic Storylines as Double-Edged Scripts Romantic storylines offer undeniable benefits: emotional catharsis, empathy training, and cultural visibility for marginalized relationships. However, they also carry risks.